{"id":97881,"date":"2018-11-04T12:45:09","date_gmt":"2018-11-04T12:45:09","guid":{"rendered":"https:\/\/www.bnreport.com\/bohemian-rhapsody-movie-review-a-killer-queen-biopic-indeed-cnet\/"},"modified":"2018-11-04T12:45:09","modified_gmt":"2018-11-04T12:45:09","slug":"bohemian-rhapsody-movie-review-a-killer-queen-biopic-indeed-cnet","status":"publish","type":"post","link":"https:\/\/www.bnreport.com\/en\/bohemian-rhapsody-movie-review-a-killer-queen-biopic-indeed-cnet\/","title":{"rendered":"Bohemian Rhapsody movie review: A killer Queen biopic indeed \u2013 CNET"},"content":{"rendered":"

Bohemian Rhapsody, which hit US theaters Friday and already opened in the UK and Australia, chronicles the rise of the band Queen<\/a>, and appropriately focuses on lead singer Freddie Mercury<\/a>. But this isn't a cradle-to-grave biography. It covers 15 years of Queen's rise and comeback and it's as much a concert as it is a biopic \u2014 especially while showcasing the band's performance at Live Aid<\/a>, a global charity concert in 1985 that raised money to fight hunger in Ethiopia.<\/p>\n

Even before Bohemian Rhapsody<\/a> begins, the 20th Century Fox logo appears on screen and the familiar trumpet fanfare morphs into an electric guitar with Queen-like flourishes. It's kind of like the logo is telling you to get ready to rock, there will be head-banging. When is the last time a non-comic-book-movie logo got cheers before a film?<\/p>\n

Now playing: Watch this: Bohemian Rhapsody stars explain Freddie Mercury's Castro\u2026 <\/p>\n

3:16 <\/p>\n

At the screening I attended at San Francisco's famed Castro Theater, people were mouthing lyrics to Bohemian Rhapsody \u2014 like you do \u2014 and clapping their hands along to "Radio GaGa<\/a>." There are so many Queen songs featured in the film it's worth seeing it just to hear the music over theater speakers. I can't remember another music biopic with as much music as this.<\/p>\n

The other reason to see Bohemian Rhapsody is Rami Malek'<\/a>s bravura performance as Freddie Mercury. It's hard to imagine anyone being able to play the truly unique Mercury, with his high cheekbones, endless jawline and, of course, those teeth. <\/p>\n

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Rami Malek as Freddie Mercury performing Ay-Oh at Live Aid.<\/p>\n

Alex Bailey <\/p>\n<\/figcaption><\/figure>\n

Looking like Mercury is one thing, but being able to perform like him is quite another. Enter Malek<\/a>, who plays Elliot Alderson on Mr. Robot<\/a>. He doesn't look exactly like Mercury, but embodies him head to toe. His performance carries the film, and is filled with heart even in some of Mercury's darker moments.<\/p>\n

On stage, Malek is outlandish, flirty and mesmerizing as he swaggers and preens with the real Mercury's confidence. His angular stance and press of vocals beam out of his spandex-covered frame like a bright light to the heavens. And that's just as Mercury on stage<\/em>.<\/p>\n

Malek is adept at portraying both the rock star and the person. In the scenes between Mercury and Mary Austin, his closest friend and partner (played by Lucy Boynton<\/a>), you see a vulnerable side to Mercury, driven by a search for identity as much as ambition. (Hey, iconic rock stars are just like us.) <\/p>\n

Without Mary, as the film shows, Mercury might not have fully explored his talent or come to terms with his sexuality. Boynton brings a contemporary perspective to Mary that allows her to be a supportive muse, partner and friend who has enough emotional strength to show Mercury who he really is, even as he breaks her heart with his philandering.<\/p>\n

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Gwilym Lee (left) as Brian May and Rami Malek (right) as Freddie Mercury performing Fat Bottomed Girls.<\/p>\n

Alex Bailey <\/p>\n<\/figcaption><\/figure>\n

But the other part of Freddie Mercury is as lead singer of Queen. Legendary guitarist Brian May is wonderfully played by Gwilym Lee<\/a> under a mop of curls, Ben Hardy<\/a> plays drummer Roger Taylor and Joe Mazzello<\/a> plays bass guitarist John Deacon.<\/p>\n

Some of my favorite scenes are when the four of them are recording a song. You see as much of the foursome's creativity as you do their bickering. One of the better sequences is the band recording "Bohemian Rhapsody<\/a>" in a studio on a farm. There's a moment when Mercury writes the lyrics that's part act of creation and part divine inspiration. It's just him alone at a piano in a farmhouse with his raw emotions and natural talent on full display. <\/p>\n

The story has obvious parallels to other music biopics<\/a>, maybe because so many famous musicians' lives follow the same path: start out as a nobody; find love and success; struggle with stardom, sexual adventures, drugs; lose yourself to fame; grow apart from those close to you; and make a comeback. Also, as is the case here, there's the tragic ending.<\/p>\n

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The band records "Another One Bites The Dust."<\/p>\n

Alex Bailey <\/p>\n<\/figcaption><\/figure>\n

Mercury died of AIDS-related pneumonia in 1991<\/a>. It was a "where were you when" moment only heightened by the fact that at that time, awareness and understanding of HIV\/AIDS was still in its infancy. Just the day before his death, the very private performer shared publicly that he had the disease.<\/p>\n

The sense of Mercury's tragic end creeps up on you from the first frame of the film, a silent close-up on his eyes. It's not clear what the context is here, but there's enough ambiguity that makes you fear the worst. The knowledge of Mercury's illness and death is a like another character in the film whose presence is barely seen but often left me feeling dread is around the corner.<\/p>\n

But as that short silent beginning ends, "Somebody to Love<\/a>" kicks in and we glimpse Mercury walking past all his cats feasting from fancy bowls to leave his mansion for that famous Live Aid concert. Mercury is in his full-on Castro clone look<\/a> with short, slicked hair and large, bushy mustache. <\/p>\n

<\/figure>\n

Now playing: Watch this: Bohemian Rhapsody will rock you, even if it's only half\u2026 <\/p>\n

2:09 <\/p>\n

Despite languishing in development limbo for years, with various attached stars and directors (and not without controversy<\/a>), the film that came out of such a messy creative process is phenomenal. It doesn't deserve to be overshadowed by off screen in-fighting, and director Dexter Fletcher<\/a> (credited as executive producer) deserves praise for his work in the final weeks of filming.<\/p>\n

The film is gorgeously shot by cinematographer Newton Thomas Sigel<\/a>, a frequent collaborator with Bryan Singer<\/a>, credited as the film's director. Sigel captures the band performing as authentically as he does the tiny mundane moments between shows. I love the way he frames Malek on and off. <\/p>\n

As for the wardrobe, throughout the film I heard various audience members\/numerous viewers say, "Oh, I want that shirt" or "I need those shoes." Malek's clothes as Mercury are necessarily, gloriously over the top. The film's a master class in rock star costume design.<\/p>\n

Mike Myers is nearly unrecognizable as EMI executive Ray Foster. His presence in the film is wonderfully cheeky especially since Wayne's World was one of the reasons Bohemian Rhapsody had a resurgence<\/a>.<\/p>\n

Bohemian Rhapsody, much like the 2015 biopic Straight Outta Compton<\/a> did for NWA, will introduce Queen to a new audience while easily elevating the band's rock god status even higher. Even under all that hype, the film is about four outsiders who made a bunch of fantastic music. <\/p>\n

As Mercury says: "We're four misfits who don't belong together playing for the other misfits."<\/p>\n

Culture<\/a>: Your hub for everything from film and television to music, comics, toys and sports.<\/p>\n

Movie Magic<\/a>: The secrets behind the scenes of your favorite films and filmmakers. <\/p>\n

<\/a><\/strong> <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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